Kraków, 11-14 September 2008

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Programme

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10 September, Wednesday

15:00-18:00 Registration

11 September, Thursday

9:00-9:45 Conference opening

welcome speech by Jan Święch, Associate Dean of the Faculty of History and Piotr Wilk, Vice-Director of the Institute of Musicology, Jagiellonian University

Does Context make Early Music? - opening speech by Wojciech Marchwica, Institute of Musicology, Jagiellonian University

10:00-14:00 Round Table I

Historical Theory and the Role of Cultural Memory

Chairperson: Reinhard Strohm (Oxford, UK)
co-chairpersons: Anne Marie Busse Berger (Univ. of California, USA)

Luisa Nardini (Univ. of Texas, Austin, USA)
Daniele Sabaino (Univ. of Pavia - Cremona, Italy)
Stefano Mengozzi (University of Michigan, USA)
Gesine Schroeder (Hochschule für Musik und Theater, Lepizig, 
    Germany)
Pilar Ramos Lopez (Univ. de la Rioja, Spain)

Coffee break: 12:00-12:20

14:00-15:00 Lunch

15:00-19:00 Round Table II

Patronage and Music ca 1400-ca 1700. Italy versus Northern Europe

Chair-person: Ryszard Wieczorek (Poznań, Poland)
co-chairperson: Izabela Bogdan (Univ. of Poznań, Poland)

12 September, Friday

9:00-13:00 Round Table III

Context and Meaning in 17th-Century Sacred Music

Chairperson: Robert Kendrick (Chicago, USA)
co-chairperson: Jeffrey Kurtzman (St. Louis, USA)

13:00-14:00 Lunch

14.00-18.00 Round table IV

The Dramma per Musica on the Way. Forgotten Keys of the 19th-Century Opera

Chairperson: Helen Geyer (Weimar-Jena, Germany)

19.00 Polish Early Music - concert with commentaries

Academy of Music, Concert Hall Florianka, Basztowa St. 8

Harmonia Sacra : Andrzej Zawisza - bass, Teresa Piech, Agnieszka Krawczyk - violins, Daniel Zorzano, Justyna Krusz - viols, Marcin Szelest - organ, artistic director

• Marcin Mielczewski (†1651) Deus in nomine tuo.Erster Theil geistlicher Concerten, Jena 1659
• Mikołaj Zieleński (16th/17th c.) Fantasia [I] a 3 (reconstruction: Marcin Szelest). Communiones totius anni, Venice 1611
• Mikołaj Zieleński Fantasia [II] a 3 (reconstruction: Marcin Szelest). Communiones totius anni, Venice 1611
• Mikołaj Zieleński Communio in festo S. Andreae Apostoli: Venite post me. Communiones totius anni, Venice 1611
• Adam Jarzębski (†1649) Canzon quinta. Ms. Canzoni e concerti, 1627
• Adam Jarzębski Concerto primo. Ms. Canzoni e concerti, 1627
• Marcin Mielczewski Canzon [II] a 3 (reconstruction: Marcin Szelest). Ms. Levoča, 17th c.
• Marcin Mielczewski Canzon [IV] a 3 (reconstruction: Marcin Szelest). Ms. Levoča, 17th c.
• Andrzej Rohaczewski (17th c.) Canzon a 4. Pelplin tablature, ca. 1620-30
• Adam of Wągrowiec (†1629)? Canzon a 4. Pelplin tablature, ca. 1620-30
• Anonymous (2nd half of 17th c.?) Toccata [in a]. Ms. Przemyśl, Benedictine convent, 1st half of 18th c.
• Anonymous (17th/18th c.) Tubae ferales. Ms. Kraków (BJ 5272), 1702
• Stanisław Sylwester Szarzyński (2nd half of 17th c.) Sonata a 2 (reconstruction: Marcin Szelest). Ms. Łowicz, 1706 (lost)
• Mikołaj Zieleński Communio in Ascensione Domini: Psallite Domino. Communiones totius anni, Venice 1611

Concert co organised by Cracow Music Academy

13 September, Saturday

10:00-13:00 Round table V

Reception of Italian Musical Culture in Central Europe up to ca 1800

Chair-person: Zofia Fabiańska (Kraków, Poland)
co-chairperson: Aleksandra Patalas (Kraków, Poland)

13:00-14:00 Lunch

14:00-18:00 Round table V cont.

Coffee break: 16:00-16:30

14 September, Sunday

10:00-11:00 Communicates addenda

Chairperson: Wojciech Marchwica (Kraków, Poland)

Rolf Bäcker (Escola Superior de Música de Catalunya, Spain)
John Luttermann (University of California)

Coffee break: 11.00-11.30

11:30-12:30 Final discussion and conference closing

Conference closing

Project sponsored by:
Jagiellonian University
Gmina Miejska Kraków

* * *

11th Sept. Thursday
9.00-9.30 Conference opening
10.00-14.00 Round table I
15.00-19.00 Round table II

12th Sept. Friday
9.00-13.00 Round table III
14.00-18.00 Round table IV
19.00 Concert

13th Sept. Saturday
10.00-13.00 Round table V
14.00-18.00 Round table V cont.

14th Sept. Sunday
10.00-13.00 Communicates addenda
Closing discussion
Conference closing

Topics

1. Historical Theory and the Role of Cultural Memory (chairperson: Reinhard Strohm (Oxford), co-chairperson: Anne Marie Busse Berger (Univ. of Cali-fornia, Davis) (main theses of the round table 1)
2. Patronage and Music ca 1400-ca 1700. Italy versus Northern Europe (chair-person: Ryszard Wieczorek (Poznań) (main theses of the round table 2)
3. Context and Meaning in 17th-Century Sacred Music (chairperson: Robert Kendrick (Chicago), co-chairperson: Jeffrey Kurtzman (St. Louis) (main theses of the round table 3)
4. The Dramma per Musica on the Way. Forgotten Keys of the 19th-Century Opera (chairperson: Helen Geyer (Weimar-Jena) (main theses of the round table 4)
5. Reception of Italian Musical Culture in Central Europe up to ca 1800 (chair-person: Zofia Fabiańska (Kraków), co-chairperson: Aleksandra Patalas (Kraków) (main theses of the round table 5)

Each topic would then be discussed during one round-table session run by a chairperson. The chairperson and co-chairperson, in agreement with the organizers, will evaluate the proposals of papers sent to us and select the future participants.

All accepted papers will be available on the official web-site of the conference and will be published before the conference in the Conference Book. During the conference only the central theses of each paper will be delivered (maximum four minutes per each). We expect papers (in Ms Word or rtf format) no longer than 3000 words or 21000 characters (including footnotes and bibliography). Articles can also include, in addition, musical examples, illustrations and tables. Although the language of the conference will be English, we also accept papers in Italian, German and French.

Conference Calendarium

1. The deadline for the first call applications (just topics of papers) - 31st of January 2007
2. The deadline for participants (except the chairpersons and co-chairpersons) for submitting the main theses of their papers - 15th of September 2007
3. The deadline for the evaluation process of the submitted proposals, confirming the lists of the participants in each round-table session and advertising them in the Internet - 30th December 2007
4. The deadline for submitting the full texts of the papers by all participants - 31st of March 2008
5. The deadline for the conference fee payment - 1st August 2008
6. The deadline for printing the Conference Book - 1st September 2008

Contact

The conference fee is 50 Euro plus ca 400-700 Euro for accommodation and meals; we do not refund the travel costs.

For information, please contact any of the organizers:

| Jakub Kubieniec | Wojciech M. Marchwica | Aleksandra Patalas |
| Piotr Rostwo-Suski | Piotr Wilk |

Jagellonian University
Institute of Musicology
ul. Westerplatte 10
31-033 Krakow, Poland
fax: (+48-12) 663-16-71
e-mail: conference@orfeo.hist.uj.edu.pl