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Round table 1 Papers |
topics | calendarium | contact
Programme
11th Sept. Thursday
9.00-9.30 Conference opening
10.00-14.00
Round Table I
Historical Theory and the Role of Cultural Memory
Chairperson: Reinhard Strohm (Oxford),
co-chairpersons: Anne Marie Busse Berger (Univ. of California)
Prof. John Butt (Univ. of Glasgow)
| Speakers: | Assistant Prof. Luisa Nardini (Univ. of Texas, Austin) Prof. Pilar Ramos Lopez (Univ. de la Rioja, Spain) Prof. Daniele Sabaino (Univ. of Pavia - Cremona, Italy) Prof. Gesine Schroeder (Hochschule für Musik und Theater, Lepizig, Germany) |
15.00-19.00 Round Table II
Patronage and Music ca 1400-ca 1700. Italy versus Northern Europe
Chair-person: Ryszard Wieczorek (Poznań)
co-chairperson: Izabela Bogdan (Univ. of Poznań)
| Speakers: | Associate Prof. David Chung (Hong-Kong Baptist Univ.) |
12th Sept. Friday
9.00-13.00 Round Table III
Context and Meaning in 17th-Century Sacred Music
Chairperson: Robert Kendrick (Chicago)
co-chairperson: Jeffrey Kurtzman (St. Louis)
| Speakers: | Paulina Cwalińska Ph.D. (Institute of Arts, Warszawa) Robert Rawson Ph.D. (Christ Church University, Canterbury, UK) Pablo-L. Rodríguez Ph.D. (Univ. de la Rioja, Spain) Thierry Favier (Université de Bourgogne CMBV, France) Dr. Metoda Kokole (Institute of Musicology, Scientific Research Centre, Slovenian Academy of Sciences and Arts) |
14.00-18.00 Round table IV
The Dramma per Musica on the Way. Forgotten Keys of the 19th-Century Opera
Chairperson: Helen Geyer (Weimar-Jena)
| Speakers: | Prof. Ryszard Golianek (Univ. of Poznań) Associate Prof. Jarosław Mianowski (Univ. of Poznań) Christine Siegert Ph.D. (Köln, Germany) Dr. Bella Brover-Lubovsky (Hebrew University, Jeruzalem Izrael) |
19.00 Concert (planned)
13th Sept. Saturday
10.00-13.00 Round table V
14.00-18.00 Round table V cont.
Reception of Italian Musical Culture in Central Europe up to ca 1800
Chair-person: Prof. Zofia Fabiańska (Kraków)
co-chairperson: Aleksandra Patalas (Kraków)
| Speakers: | Claudio Bacciagaluppi (Univ. of Friebourg) Jana Bartová Ph.D. (Univ. of Bratislava, Slovakia) Joseba Berrocal (Paris, France) Irena Bieńkowska Ph.D. (Univ. of Warsaw) Izabela Bogdan Ph.D. (Univ. of Poznań) Tomasz Jeż Ph.D. (Univ. of Warsaw) Elena Kopylova (Mexico City, Mexico) Marco Mangani (Univ. di Pavia - Cremona, Italy) Rachel Meyers MA (Univ. of Tasmania, Australia) Barbara Nestola (Centre de Musique Baroque de Versailles, France) Prof. Stanisław Tuksar (Univ. of Zagreb, Croatia) |
14th Sept. Sunday
10.00-13.00
Communicates addenda (names not confirmed yet)
Ralf Bäcker M.A. (Escola Superior de Música de Catalunya, Spain)
John Luttermann Ph.D. (University of California)
Léa Ligia Soares (Curitiba, Brazil)
Associate Prof. Carol Steyn (Univ. of South Africa, Pretoria, South Africa)
Closing discussion
Conference closing
11th Sept. Thursday
9.00-9.30 Conference opening
10.00-14.00 Round table I
15.00-19.00 Round table II
12th Sept. Friday
9.00-13.00 Round table III
14.00-18.00 Round table IV
19.00 Concert (planned)
13th Sept. Saturday
10.00-13.00 Round table V
14.00-18.00 Round table V cont.
14th Sept. Sunday
10.00-13.00 Communicates addenda
Closing discussion
Conference closing
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Historical Theory and the Role of Cultural Memory (chairperson: Reinhard Strohm (Oxford), co-chairperson: Anne Marie Busse Berger (Univ. of Cali-fornia, Davis) (main theses of the round table 1)
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Patronage and Music ca 1400-ca 1700. Italy versus Northern Europe (chair-person: Ryszard Wieczorek (Poznań) (main theses of the round table 2)
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Context and Meaning in 17th-Century Sacred Music (chairperson: Robert Kendrick (Chicago), co-chairperson: Jeffrey Kurtzman (St. Louis) (main theses of the round table 3)
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The Dramma per Musica on the Way. Forgotten Keys of the 19th-Century Opera (chairperson: Helen Geyer (Weimar-Jena) (main theses of the round table 4)
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Reception of Italian Musical Culture in Central Europe up to ca 1800 (chair-person: Zofia Fabiańska (Kraków), co-chairperson: Aleksandra Patalas (Kra-ków) (main theses of the round table 5)
Each topic would then be discussed during one round-table session run by a chairperson. The chairperson and co-chairperson, in agreement with the organizers, will evaluate the proposals of papers sent to us and select the future participants.
All accepted papers will be available on the official web-site of the conference and will be published before the conference in the Conference Book. During the conference only the central theses of each paper will be delivered (maximum four minutes per each). We expect papers (in Ms Word or rtf format) no longer than 3000 words or 21000 characters (including footnotes and bibliography). Articles can also include, in addition, musical examples, illustrations and tables. Although the language of the conference will be English, we also accept papers in Italian, German and French.
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The deadline for the first call applications (just topics of papers) - 31st of January 2007
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The deadline for participants (except the chairpersons and co-chairpersons) for submitting the main theses of their papers - 15th of September 2007
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The deadline for the evaluation process of the submitted proposals, confirming the lists of the participants in each round-table session and advertising them in the Internet - 30th December 2007
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The deadline for submitting the full texts of the papers by all participants - 31st of March 2008
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The deadline for the conference fee payment - 1st August 2008
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The deadline for printing the Conference Book - 1st September 2008
The conference fee is 50 Euro plus ca 400-700 Euro for accommodation and meals; we do not refund the travel costs.
For information, please contact any of the organizers:
| Jakub Kubieniec | Wojciech M. Marchwica | Aleksandra Patalas |
| Piotr Rostwo-Suski | Piotr Wilk |
Jagellonian University
Institute of Musicology
ul. Westerplatte 10
31-033 Krakow, Poland
fax: (+48-12) 663-16-71
e-mail: conference@orfeo.hist.uj.edu.pl
